The reason the first invioce says 'Order change' is because intially I only ordered 20 but upped it having found out how many people were interested in having a copy.

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Further speculation over the years has been as to how many of each cover there were.

I produced them as three variants ;

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Colour Gatefold

Black and White Gatefold

and

Black and White Single Sleeve.

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They were all produced singly by my own hand, using actual photographs that I had printed myself being glued onto the white sleeves.

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The gatefolds were not actually gatefolds in the true sense of the term.

They were made by gluing a flap of card to the inside of the back of the sleeve opening so that it folded over the sleeve covering the opening.

Onto the inside of that was the B&W 'Montage' shots and when folded over it showed 'The Girl On The Settee'.

The flap folded onto the Track Listing 'Car Shot' (which on a single LP sleeve would have been the front) and so on the other side of the sleeve was the building site 'Group Shot'.

So - on opening the album 'like a book', it becomes plain that the Front of the album sleeve was the band and NOT the 'Girl In The Window'.

All re-issues done since that feature those photos (including the first Swank Reissue in 1990. They asked for the change) have the girl on the front, as that picture had become synonymous with the LP and was assumed to be the front by all who had not seen an original.

On all the original single sleeve versions it is clear that the group shot is the front of the album.

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There were only ever 12 colour gatefold sleeves. The reason for that mainly is, once again, cost.

Although I was printing the photos myself, the paper was very expensive.

It was my first foray into colour printing and before I had a colour printing macine and processer.

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The prints were made by a very unusual process at the time by exposing the paper with a transparency, rather than a negative.

I had decided I was only going to make at least 10 colour gatefolds and had bought three packets of 10 sheets of paper.

How many acceptable prints I managed to produce would determine how many colour sleeves there would be.

Obviously I needed 2 for each album and I successfully printed 12 from each transparency.

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To expose the paper it was held in place with a printing mask. This apparatus is what gives photos their familiar white borders.

Of course, printing from a transparency would give a negative image but this is resolved by briefly exposing the paper to White Light for a determined amount of time.

This reverses the negative image to a positive one and so the white borders, which hadn't been exposed to light, process as black with this special printing technique.

'Dark Round The Edges'

The processing is done on a one at a time basis using One-Shot chemicals which are poured into a light tight drum into which the exposed paper has been inserted.

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It is a very time consuming and mentally draining process as the slightest discrepancy ruins the result.

Consequently it took me the best part of a week from start to finish just to print the colour photos.

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The Black and White ones were much faster, easier and cheaper.

That's the reason there were only 12 original coulour gatefolds.

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Well . . . . . to be totally correct, there were 14.

12 were produced for 'public consumption' but I made myself a couple using better quality professionally produced colour photos (which is why they don't have the black borders) - as shown below.